Monday, July 4, 2016

THE CONDITION MY CONDITION IS IN

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Seventeen years old and livin' large in 1973, at my first private residence (a miniature windmill that rented for $75 a month - utilities included). I'm wearing my first (semi) mustache here, in an effort to distract from the Mary Tyler Moore hairdo. I'm still cursed with the flip today. And with the consequences of unfortunate lifestyle choices. My straight axle street racer is parked just out of frame. (Photo by Dave Wood, I think)

Last week on SGE, I alluded to becoming "an irrelevant sidewalk pedestrian now, watching hotrodding roll past me." It's true. And I'm mostly okay with that, though my ego is a little pissed. As detailed in the May 16th 2016 "Depth Perception Test" post, the masks worn by our self-created hot rod personas insidiously become a part of us that can be very hard to shake off. It's a process that takes as long as it takes for us to willingly say goodbye to obsolete baggage. I must say, it's pretty amusing to watch the procedure play out. Just when I'm enjoying the freedom of being a pedestrian among pedestrians, some overcammed badass will rumble by and trip the trigger again. So, baby steps, one day at a time, and all that. Again, it's a process.

I wish I could tell you that I received my pedestrian status by simply recognizing a situation and dealing with it. Truth is, I'm always the last person to see my own foibles, but the first to spot someone else's. And you can ask anyone who's seen me struggle with a mechanical challenge: I'm no fixer. No, it took an act of providence to get my attention. Even on this blog founded on full disclosure, I've been pretty coy about the experience. That ain't right. So here's how it (and I) went down...

Work commenced on the Lost Drag Strips II project last spring. Mega-stoked at finally getting a drag race-related assignment, I gleefully dived into the deep end. Twelve to sixteen-hour workdays had been my modus operandi for the last several years, but a week into the drag strip book, I found myself thrashing from sixteen to twenty hours a day. The adrenaline, gratitude, caffeine and nicotine kept that momentum going to about the halfway point, when I finally noticed the extended work hours weren't producing any more content. Not only was the quantity down, but the quality was, too. I was repeating myself, and finding grammatical and factual mistakes that I'd missed while editing. I knew something was up, but didn't want to brake dance at the finish line. I powered on.

As it turned out, I missed the book deadline by a week (the only deadline I've ever missed), due to time spent fixing said mistakes. At that time (late summer), I took a part-time job, watering plants. Three weeks into that gig, I was fired for incompetence. No matter how clearly instructions were explained to me (and despite taking copious notes), I just couldn't process or retain the information. The jig was up, and I was down for the count. No work equals no income, rendering me destitute within a month (I posted the ensuing homeless adventure on this blog). I ultimately found advocates for shelter and medical care, so everything is all rainbows and kittens again, today. But my team of doctors (really) can't agree on the cause or cure for my condition, so there's yet another process that must play out. Meanwhile, I try to keep my chops up with this SGE stuff, but the blog posts that previously took a couple hours to create now require a solid week to assemble, due to memory loss and dyslexia. I'm grateful to have this time to lavish on this last vestige of my automotive journalist career, but just don't know how many more stories I have left in me.

So now I attempt to transition into my new role as a civilian retiree. I'm off to an awkward start, under the weight of my guilt around being on the dole. And I don't have much patience for fellow retiree's grandchildren and fishing stories. Windy as I am on this blog, I'm actually quite shy in real life. But get this: While on my daily walk yesterday (a couple of miles, on average), I sat on a park bench and watched moms and toddlers feed birds - for almost an hour. It's been years since I've done such a thing. That shocking realization, combined with the warm fuzzy before me, had me fighting tears. I haven't been very nice to myself. No wonder I'm damaged goods.

2016. Forty-six years later, and none the wiser. The Mary Tyler Moore tribute continues, but will this blog? That is yet to be decided. (Shellski shot, maybe. Looks more like a selfie)



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SQUIRREL AND TOOLBOX


Only the visionaries at Atco Records had the nuts to release Al Caiola's beautiful gift to the space squirrel kingdom. Since its release, I've felt that I was born to record the sequel. Perhaps the time is nigh. I just need to get some of those magic guitars.



My Craftsman rollaway was sacrificed last winter for the sake of survival (three weeks' rent in a cheap motel). Fully loaded with a lifetime collection of quality tools, I priced it at $150 for a quick sale on Craigslist, hoping for the best. Less than a minute after posting the ad, it was sold. The new owner was ecstatic. My emotions were mixed .

Before handing over the rollaway, I selected as many tools as I could cram into this little Craftsman 4-drawer box (found next to a dumpster with the lock busted off), so I'd be somewhat prepared. So far, I've used a Phillips screwdriver from it. I don't have much use for tools now, but can't bring myself to part with them yet. (Scotty shots)



GRIN


Should this blog continue, the focus may shift to music. I'm into it again. Upon moving into my tiny new apartment, I realized I'd have to jettison some instruments, or make them smaller. Something about the overall design and tone of this $40 Chinese Harmony copy irritated me, so...

... the pick guard was modified, which then revealed the need for accompanying body mods. My neighbor, Rob Jones, helped me get my old jigsaw going. Rob and wife Judy spent the same three weeks in the same motel I was holed up in last winter, yet we never met until we moved into the same apartment complex. Rob (who has some of of the same baggage as I) is yet another semi-retired author. Judy used to run a fuel altered with her former husband, in Georgia. I live for such synchronicity. Anyway, what began as a pick guard reshaping quickly devolved into this. (Photo courtesy Robert Jones)

Ta da. I think it has kind of a Vox prototype vibe. Whatever. It was therapeutic. Rob knows about electricity, and soldered in a better ground wire. I fine-tuned the set-up...


... then applied the shaky custom graphics package. In my dubious opinion, it plays, sounds, and looks better than before. (Scotty shots)


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Monday, June 27, 2016

WANT!

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A random collector, surrounded by his findings. The satisfied smile says it clearly: Everyone needs a hobby. (Photo courtesy Garlits Museum)

General Motors' 1956 lineup, including concepts. There are people out there who actually collect collections like this. Get your head around that. (Photo courtesy Ford Motor Company. Just kidding)

Gotta have it! Against all odds. Despite impending ruination. I am a collector. OCD is but one of the disorder acronyms I live with, but it's certainly the most fun. It started with childhood wrecking yard excursions to gather fasteners, fittings, wiring connectors, horn buttons, shift knobs, and on and on. You know, stuff I'd need when I got a car. That hardware proved to be the gateway drug to hoarding decals, posters, model cars, diecast cars, T-shirts, then on to the hard stuff: Tools, speed parts, car projects, parts cars to support the car projects, garages and storage units to support the ever multiplying number of projects. Before I knew it (way before), I was chronically strung out.

There are dire consequences for indulging in such insanity. For me, the lessons learned resulted in a scaling back of the hunt to better match the dust in my aching wallet. Today I make due with scouring yard sales and thrift stores for vintage car books and magazines, along with orphaned guitars and their associated obsolete parts and accessories. An old man and his hobby. Happily puttering.

Present circumstances dictate a further shrinking of my collecting activities. This latest chapter of my life requires a simpler, more humble existence. The payoff has been improved physical health and a marked reduction of stress. But the collector still wants to scarf up nuts and bolts to fill more fruit jars. So it's off to the internet - abundant with cool photos of cool car stuff. And it's mostly free, which suits my current situation nicely. I'm an irrelevant sidewalk pedestrian now, watching hot rodding roll past me. But the photographs offer me some level of comfort as I grieve. You can guess the rest... There are literally too many files and folders to count in the SGE Photo Archives. It's sick, ridiculous, and sad. Below are cover ID Photos of some of my favorite folders. Some images may have posted previously.



The early days


Street roadsters


Coupes and sedans 

Street racers


Race cars in transit


Lucky kids (Photo courtesy Paramount Pictures [the only movie company I can think of. But it was probably them])


Landspeed racers


Doorslammers


A/FX


Gassers


Funny Cars


Diggers


Miscellaneous drag racers (Photo courtesy Captain Jack McClure)

Hoarders

Muscle cars (Photo courtesy General Motors Corporation - not really)


That's right - we've even amassed a bulging folder of gearhead dog photos (oddly, there's not a single Greyhound in the mix). And thanks to OCD, I too am a dog on a bone.

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SQUIRREL AND TOOLBOX

The hardcore collector will go to any length to search out their prey. This individual sports the same aura of gratification as Don Garlits (in our lead photo). It's universal. NEXT WEEK: The latest CDC report on obsessive collecting. See the unabridged edition here first!


Southern California SGE flatfoot Kristen Cline hit the mean streets to sniff out the latest hot boxes, so you don't have to. You're welcome. But Kristen also had an ulterior motive: It's no coincidence that tool and toolbox collecting go hand in hand. Now that she's splitting wrench time between her Falcon, Studebaker and commuter (a Dipshitzu, I believe), Kristen has the perfect excuse to binge-splurge. Lucky gal! (Photo courtesy Kristen Cline)


GRIN

Drag Race photographer Fred Simmons contributed a ton of info, images, and wonderful stories to the Lost Drag Strips II book. He was everywhere in the Sixties, and photographed everything that happened. We haven't met yet, but the phone calls and e-mails feel like the foundations of a solid friendship. In passing, Fred casually mentioned the drag racing paraphernalia in his basement, and I asked if he had a photo of the collection. Below is part of what I received from Fred...











Fred was presented this gem from Crane Cams Vice President David Smith. The Dyno Don Nicholson photo was shot in the backyard garage of Dyno's Atlanta, Georgia home. Fred adds, "He's working on his red '65 Comet. I have pictures of him moving the rear wheels forward, and doing bodywork." Of course. God bless ya Fred! (Photos courtesy Fred Simmons)

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Monday, June 20, 2016

ITCHY VS RUSTY - NAME YOUR POISON

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 Itchy and Scratchy got nothin' on these guys. This game of rat and mouse probably played out on every strip of macadam capable of hosting two cars. American fiberglass versus British tin: A promoter's dream match. (Photographer unknown)


The Emerson Bros. Corvette first earned fame as a George DeLorean-built 421 Pontiac-powered street racer (infamous on Detroit's Woodward Boulevard). An overload of traffic citations prompted a move to full-time strip duty with an injected 427 Chevy and Midwest Auto Parts sponsorship (as seen in above lead photo). It was also campaigned as"Prontito" before the Emersons took over. Where is it now? (Photographer unknown) 

The Norlock & Worthy Thames (Britspeak for Anglia panel truck. They pronounce it "Tams"), sponsored by the omnipresent Cash Auto Parts. All of the required gasser visual ques are present (enhanced with 'chute pack on upholstered rear panel), but alas, no audio track was included with this photograph. (Photographer unknown)

The above Vette and Thames imagery reflects how the remains of my corroded brain has cataloged these icons of mid-to-late Sixties drag strip cool. Now younger, more open minds - unfettered with the ancient baggage I carry - are reinventing them to suit today's car crafting sensibilities. One can argue traditional versus current trends in construction, styling, and intended purpose, but there's no question that inspiration for all creative endeavors comes from the same place and carries us forward.


During my deservedly brief tenure at Steve's Auto Restorations in Portland, Oregon (I wasn't ready for prime time), I became obsessed with an orphaned '48 Thames, banished to the far corner of the parts yard. Today, I'm happy to report that it was finally invited inside for some overdue nurturing. Southeast Portland, Oregon SGE correspondent (and longtime Steve's staffer) CC narrates the Thames' transformation from dirt dweller to princess poodle...


"Art Morrison did the custom rear section. We had to make everything else work." Stock 90 inch wheelbase was extended to 96 inches. In a nod to yesteryear, a dropped tube axle is employed up front, while a 9" Ford brings up the rear. Engine is a mild (355 HP) ZZ4, backed with a 4L60E automatic. The one-off intake crowning the final version is teamed with a FAST EFI system.

"We opened up the body to accept Anglia doors, but only stretched it about seven inches - some in the nose. The door opening cuts into the quarter panel some, in order to keep things in proportion and not look overly stretched. From the door opening back, it's all new sheetmetal. Grille and A-pillar are laid back. B and C-pillars are laid forward. There's a single rear door instead of double doors.We added the rocker panels, and carried the reveal down onto the rocker from the door." 

"The Thames was in the Grand National Roadster Show, Detroit Autorama, and Portland Roadster Show. At all three shows, it won First in Class." It also won some kind of shiniest paint award at each of those events. Not bad for an abandoned car found in a vacant lot and slapped together by a bunch of Oregon loggers. As usual, this Steve's creation was realized via the pen of in-house designer Dave Brost. (Photo courtesy Tim Bernsau)


What good is a Thames without a Corvette sparring partner? Exactly. So Dave Brost scribbled out a rendering and Steve's whipped up a Yankee sibling to rival the teabag trucklet.


Yep, Steve's also gave the Hello Kitty treatment to this '57 Corvette. That original body was laid over a round-tube chassis by SRIII (in New Lenox, Illinois). Suspension is all C-5 Corvette. Drivetrain features a 556-horse Cadillac LSA V-8 and Tremec 6-speed.



The still-in-progress itchymobile attracts lots of attention on the show circuit (the trick wheels are but one example of several subtle nods to Corvette godfather Zora Arkus Duntov). The Steve's crew has plenty to be proud of with these builds. But our queries regarding timeslips for the Thames and Vette were answered with an awkward silence. So the imminent match-up apparently hasn't happened yet. But when it does, cub reporter CC will be there, covering the action for the SGE faithful. This is gonna be unreal (code for 'will probably never happen'). (Photos courtesy Steve's Auto Restorations and CC)


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UPDATE

The Spalding Bros. tested their aftermarket ignition products in real world conditions. Their magnetos had to deliver the goods in the streets and on the track. The Spalding T roadster test mule was constructed accordingly, featuring a versatile and unique suspension, partially exposed in this rare body-off shot. (Photo courtesy Pat Ganahl collection)

Meanwhile, in a humble woodframe shop a few miles outside of Portland, fabricator, racer, and jester Marty Strode quietly chips away at the Spalding Bros. roadster recreation for customer Pat "Too Tall" Ganahl. That's the original, above. Below, we check in on Marty's progress over the last week...


Hit it, Marty: "One of the unique aspects of the original Spalding Bros. roadster was the (four) torsion bar suspension - clearly ahead of its time. In the last week or so, I machined the mounting blocks..." 



"... profiled the blank arms/stops..."

"... and the rest of the work consisted of some time in the bandsaw..."


"... and my Bridgeport mill. A Rotobroach was just the ticket to bore the mounting blocks."




The Spaldings crafted this simple-but-distinctive dash for their center-steer T. After some study, Marty did the same for Ganahl's tribute, employing the same methods as used on the original. No further captioning needed. Enjoy. (Photo courtesy Pat Ganahl)




Strode signed off his missive with, "Plenty more to come!" Music to our ears. Marty, you sure make this work look easy. And pretty. Okay people, you heard the man: Don't touch that dial! This build is too good...(Photos courtesy Marty Strode)

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SQUIRREL AND TOOLBOX

Well, this is disturbing. But the image comes to us via Steve Scott, of Uncertain T fame, so consider the source (it takes a disturbed individual to conceive and build such a car). On a personal note, even though I was raised by squirrels, it was a staple of our family's kitchen table fare. True. And disturbing, indeed. (Image courtesy Steve Scott)


Equally disturbing: This is Trilly - a grunt worker at Jesse Coots' Old Soul Hot Rods shop in New York, where they apparently have no child labor laws. C'mon, New York! Join the civilized world, already. At least Trilly has a decent selection of Snap-On tools to choose from in her well organized rollaway chest. (Secret spy photo courtesy Mr. X)


GRIN

Anglias on parade! This is exactly how they look rolling through my head all day. I've had a couple of these things. There is no cure. (Photographer unknown)



WORLDWIDE GRIN


It's 28 year-old Robert Borba. He's a local (Medford, Oregon) guy, who unintentionally went global last week. Robert's story produced even more ink than the brouhaha over TV everyman Mike "Dirty Jobs"  Rowe's accidental link to a Medford bank robbery last year (true). (Photo courtesy ABC news)

Thanks to some quick thinking and fancy footwork, Robert squelched an in-progress bicycle robbery in a Medford-area Wal Mart parking lot, using the tools of his trade (he's a rancher). Portlandia fans can attest to Oregonians' fierce bicycle protectiveness. Note perpetrator holding up tree, as Robert and his partner secure the crime scene. Heroes! (Photo courtesy KTVL Medford)

Once the police arrived, Robert hightailed it down to northern California to help out on a friend's ranch. Said friend told Robert the rope-a-dope story was getting around, but Robert didn't realize it had gone viral until returning to Medford. The image of wild west justice being served apparently struck a universal nerve. The piece has now been reprinted in several languages, on every continent. Everyone loves seeing someone do what they were born to do. For Robert Borba, that just means getting back to work on his own ranch and keeping his head down. You done good, Robert. Thanks. (Photographer unknown)



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